The Socialist Realism, an ideology enforced by the Soviet state as the official standard for art, literature etc., was defined in 1934 at the First All-Union Congress of Soviet writers. It was based on the principle that the arts should glorify political and social ideals of communism. Every artist had to join the "Union of Soviet Artists", which was controlled by the state. The paintings had to be idealisations of political leaders and communist ideas.
The paintings displayed on this site are part of the Horvath-Collection, situated in Austria. The collection is based on an idea, which is explained in the article "Die Sammlung Horvath für politische Kunst" by Patrick Horvath (in German).
Boris Vladimirski: "Roses for Stalin", oil on canvas, 100,5 x 141 cm, 1949.
"The Academy of Arts in
St.Petersburg was the primary
center for art education in Russia and the ultimate authority for
maintaining
artistic standards and controlling the content of exhibitions and
commissions.
Founded in 1757, the academy became the major influence on the
development of
Russian painting. After the Bolshevik Revolution of 1917, the academy's
main
functions were to implement the Communist Party line in the fine arts
and to
oversee the training of Soviet professional artists.
The Zhdanov decrees were resolutions adopted by the Central Committee
of the
Communist Party in 1946. Formulated by the Party's secretary and
cultural boss,
Andrei Zhdanov, these decrees called for stricter government control of
the arts
and promoted an extreme anti-Western bias.
The Union of Soviet Artists was the single official artists' union of
the Soviet
Union, authorized and controlled by the state. Proposed in 1932, it was
fully
realized in 1957."
"Russian Jewish Artists in a Century of
Change 1890 -
1990", edited by S.T.Goodman, Prestel, Munich-New York, 1996.
"The Stalin prizes were
inaugurated in 1939 to reward
high achievement in the arts and sciences. The first prizes for
painting were
awarded in 1941. The prizes conferred considerable prestige and a large
sum of
money. All awards were agreed by Stalin and inevitably they had strong
political
colouring. Igor Grabar headed the committee responsible for the
painting prizes."
(Mattew Cullerne Bown: Russian and Soviet
Painters. Ilomar,
London)
"Initially, Socialist Realism was
an artistic and
literary doctrine of political censorship in the Soviet Union.
Established by
the Union of Soviet Writers, it became implemented as compulsory
practice in
1932. Socialist Realism primarily required that artists portray a
positive
depiction of socialist society in conventionally realistic terms. But
after
Stalin's death (1953), the practice of Socialist Realism gradually
became more
relaxed though Soviet censorship, in general, remained comparatively
strong
until Glasnost of the mid-1980s. In
the 1950s, both genres
of painting existed - scenes depicting political revolution and scenes
showing
realistic everyday life. Grandiose-scale paintings depicting scenes of
the
revolution were commissioned for government buildings, while real life
scenes
were available to grace the walls of homes. In reality, there was
little market
for selling the paintings. Essentially, the regime controlled the
entire process.
(Anne Visser, "Lenin in Art - The History
of an
Illusion", Azerbaijan International 14.2, Summer 2006.)
See also in WIKIPEDIA: Sozialistischer Realismus
"Lenin in St.Peterburg". Oil on cardboard, 26 x 48 cm.
Mikhail Mikhailovich Bozhi
"Stalin in the Civil War", oil on canvas, 110 x 148.5 cm, appr.1950.
"Portrait of the Leader". Oil on canvas, 60 x 48,5 cm.
"Lenin",. Oil on canvas, 69,5 x 40 cm.
"Stalin and Mikojan in the Kremlin". Oil on cardboard, 29,5 x 25 cm.
"Vladimir Ilich Lenin". Oil on cardboard, 50 x 30 cm, 1924.
"Farmers' Revolution 1905". Water colors on paper, 18 x 24 cm.
"Life has become more cheerful". Water colors on paper, 22 x 16 cm.
"First of May". Oil on cardboard, 17,5 x 22,6 cm.
Vojtech Cinybulk (former Czechoslovakia)
"Boy with Eagles". Woodcut-print, 42 x 30,5 cm.
"Gorky reading to Stalin". Oil on canvas, 112 x 132 cm, 1940.
"Stalin at a session of politicians at the Kremlin". Oil on canvas, 144 x 178 cm.
"Lenin". Oil on cardboard, 39 x 28 cm, 1928.
"Vladimir Ilich Lenin". Oil on
canvas, 90 x 116 cm.
"Vladimir
Lenin was short. He was also forty-six and balding when he seized
control of
Russia in 1917, in the world's first communist revolution. But his
words were
firy. ... This painting comes from the USSR, during a time when the
Soviet
government banned 'unsuitable' subjects and styles."
(Gardner,
Parsons, Zwicky in "Stories of the Century", Duval House Publishing,
Toronto, Ontario 2003 about this particular picture.)
"Lenin I" and "Lenin II", each of them oil on cardboard, appr. 31 x 24 cm.
"Karl Marx". Oil on cardboard, 50 x 32 cm.
"Naked Woman on the Beach". Oil on cardboard, 48,5 x 25 cm.
Vladimir Gavrilovich Krikhatzki
"Lenin's Room in Simbirsk 1878 to 1887". Oil on canvas, 28 x 41 cm.
"Soldier of the Red Army I". Oil on cardboard, 36 x 27 cm.
"Soldier of the Red Army II". Oil on cardboard, 36,4 x 26,7 cm.
"Farmer". Oil on cardboard, 40,5 x 26 cm.
"Look outside, the world is red!". Water-colors on paper, 17 x 25 cm.
"On the Beach". Oil on canvas, 30,3 x 18,5 cm.
"The First Tractor". Oil on cardboard, 34,5 x 50 cm.
"Karl Marx". Oil on canvas, 76 x 63 cm.
"The End (The last Hours in Hitler's Bunker)". Oil on canvas, 67 x 89 cm, 1951.
"Portrait of Stalin". Oil on canvas, 79,5 x 59,5 cm, Moscow 1949.
"Stalin at the Kremlin". Oil on cardboard, 29 x 21 cm.
"Stalin I"and "Stalin II". Oil on cardboard, appr. 22 x 16 cm, 1949.
Otto Matousek (former Czechoslovakia)
"Red Army Soldier". Linolcut-print, 55,5 x 46 cm.
Alexej Konstantinovich Nesterenko
"Lenin". Oil on canvas, 71 x 53 cm, 1938.
"Stalin
at the 8th Conference of the Highest Council". Oil on canvas, 165 x 220
cm.
This painting is also
published in "The Russian Revolutions"
by George Bowen, a study of government and political change in Russia,
the
Soviet Union and CIS, Pearson Education New Zealand, 2008 (ISBN
978-0-7339-9342-8).
"Lenin in his working room". Oil on canvas, 80 x 100 cm, 1947.
Ivan Nikolaevich Petrenko
"Lenin at the Kremlin". Oil on wood, 37 x 24,5 cm.
"The Kremlin in Moscow", each of them water colors on cardboard, appr. 20 x 15 cm.
"Lenin's Arrival at the
Finland-Station in
Petrograd in Spring 1917". Oil on canvas, 173 x 190 cm.
This painting is also published in "The
Russian Revolutions"
by George Bowen, a study of government and political change in Russia,
the
Soviet Union and CIS, Pearson Education New Zealand, 2008 (ISBN
978-0-7339-9342-8).
"Return of the Winners". Water colors on cardboard, 37 x 71 cm, 1953.
Nikolai Andreevich Shelyuto
"Lenin". Oil on cardboard, 30 x 21 cm.
Aleksei Alekseevich Shovkunenko
"Karl Marx". Oil on paper, 15,5 x 11,5 cm.
"Wladimir Lenin". Oil on paper, 15,5 x 11,5 cm.
"The Red Place in Moscow". Water colors on paper, 25 x 40 cm.
"Monument in Moscow". Water colors on paper, 40 x 25 cm.
"Scene from Moscow". Water colors on paper, 25 x 40 cm.
"Muchina's Monument in Moscow".Water colors on paper, 40 x 25 cm.
"Sun of Communism". Water colors
on paper, 20 x 23 cm.
This painting is the cover image of the CD
"After the Wars" by the Canadian band "Red Orchestra".
Grigori Efimovich Shpolyanski
"Vladimir Ilich Lenin at the
Smolny
Institute". Oil on canvas, 100 x 160 cm. Copy of the famous painting by
I.I.Brodsky.
The painting "Lenin in Smolny" by
Shpolyanski is the
cover image of the book "The Parallax View" by Slavoj Zizek, MIT
Press, Cambridge USA - London, 2006 (ISBN 0-262-24051-3), and a detail
of the
picture serves as cover image of the MIT Press Catalogue Spring 2006.
"Lenin". Oil on canvas, 89 x 66 cm, 1940.
"Stalin". Oil on canvas, , 88,5 x 58 cm, 1949.
Vladimir Mikhailovich SINITSKI
"Lenin in front of the World Globe". Crayon on paper, 58 x 50 cm, 1937.
Karel Stech (former Czechoslovakia)
"Imperialism". 14 woodcut-prints, each of them appr. 35 x 25 cm (paper), 25 x 18 cm (motif).
Karel Stehlik (former Czechoslovakia)
"Building of a Dam at the Moldavia". Oil on canvas, 50,5 x 71 cm.
"Portrait of the Leader". Oil on cardboard, 50 x 45,5 cm.
"Polling-Station". Oil on canvas, 107 x 75 cm.
"Lenin with farmers". Oil on canvas, 46 x 77 cm, appr. 1960
"Stalin as an
organizer of the october revolution". Oil on canvas, 85 x 117 cm.
This painting
is also published in "The Russian Revolutions"
by George Bowen, a study of government and political change in Russia,
the
Soviet Union and CIS, Pearson Education New Zealand, 2008 (ISBN
978-0-7339-9342-8).
"J.Stalin and S.Kirow visiting the Wolkhow- Gidrostation". Oil on cardboard, 31 x 20 cm.
"Revolution 1917". Oil on cardboard, 33 x 22 cm.
"Lenin 1917". Gouache, 31 x 22 cm.
"Plan for a postcard". Water colors on cardboard, 15x 9 cm, Soviet-Union, appr. 1960.
"Look Forward !" Original plan for a poster, water colors on cardboard, 27 x 14 cm, Soviet-Union, appr. 1960.
"Welcome-celebration for Red Army soldiers". Oil on canvas, 60 x 80 cm, Slovakia (?) 1953 (signation: "Elena 53"). On the backside of this painting you find a motif of a rural landscape, done by the artist Domansky in 1958.
Aleksei Aleksandrovich Vasilev
"Stalin". Oil on canvas, 191 x 95 cm.
"Lenin and Stalin". Oil on canvas, 121 x 158 cm.
"Lenin and Stalin in
summer 1917". Oil on canvas, 89 x 124 cm.
This painting is also published in "The
Russian Revolutions"
by George Bowen, a study of government and political change in Russia,
the
Soviet Union and CIS, Pearson Education New Zealand, 2008 (ISBN
978-0-7339-9342-8).
"In a Girls' School". Oil on canvas, 100 x 86 cm.
"Lenin and Gorki". Oil on wood, 40 x 37 cm.
Boris Eremeevich Vladimirski
"Roses for Stalin". Oil on
canvas,
100.5 x 141 cm, 1949.
"This painting illustrates 'socialist
realism' - a style that Stalin
forced on Soviet artists. Socialist realism delivered positive messages
about
the USSR and its leaders. Because of propaganda like this and
censorship, many
Soviet citizens did not know the extent of Stalin's brutality."
(Gardner,
Parsons, Zwicky: "Stories of the Century", Duval House Publishing,
Toronto, Ontario 2003.)
This picture is also published in
Funken,
Koltrowitz:
"Geschichte plus", Volk und Wissen Verlag, Berlin 2001 (ISBN
3-06-110924-2), as well as in "The Brain and The Arts" by Espen
Dietrichs and Ragnar Stien, Koloritt Forlag, Oslo, Norway 2008 (ISBN
978-82-92395-64-6).
It is the cover image of the CD by Overlord "In
Soviet
Russia, My Heart Breaks You", published in the US 2011.
In 2016 the painting "Roses for Stalin" was published in
"What's thr Use? - Constellations
of Art, History and Knowledge" by Nick Aikens, Thomas Lange, Jorinde
Seijdel and Steven ten Thije (editors). Valiz, Amsterdam, ISBN 978 94
92095 121, p. 189.
It is also published in "The Imaginary Reader" by Marie Nerland
(editor) in an article by Avery F. Gordon entitled "Flowers
for
Natascha". ISBN 978-82-303-28149, Volt 2016, Bergen (Norway),
p.64.
"Black Ravens". Oil on wood, 32 x 20 cm.
This painting, owned by the Horvath Collection of Political Art, is currently on loan to the House of European History in Brussels.
It is published in the essay "The Black Ravens and Stalinist terror" by Zofia Woycicka in the book "CREATING THE HOUSE OF EUROPEAN HISTORY", edited by Andrea Mork and Parkles Christodoulou, Publications Office of thre European Union, ISBN 978-92-846-1972-6, 2018.
This painting was also used as cover-image
of the magazine "Azerbaijan
International", 13/4, Winter 2005:
"Our cover is based on the original
painting 'Black Ravens' by Boris
Vladimirsky (1878-1950, Collection Horvath, Austria), who often was
commissioned
to paint propagandistic scenes during Stalin's era. 'Black Ravens'
shows another
side of the soul of the Vladimirsky. It is still unknown how this work
passed
censorship. 'Black Ravens'
were the cars used by the NKVD (KGB) to arrest civilians,
often in the wee hours of the morning. They were notorious in creating
an
atmosphere of fear and distrust so prevalent in the 1930s and 1940s.
Note the
prison in the background."
"Miner". Oil on cardboard, 41 x 29 cm, 1929.
"Female Worker". Oil on cardboard, 41 x 29 cm.
"Lenin on Airfield". Oil on cardboard, 32,5 x 49,5 cm.
"Lenin in red dawn". Oil on cardboard, 34 x 48,6cm, appr. 1930.
Boris Vladimirski: "Lenin in Red Dawn", oil on cardboard, 32,5 x 49,5 cm.