Moke the painter in his studio in the Avenue Kasavubu, Kinshasa (Fotos by Prof. Armin Prinz, Vienna, Austria).
Kejwamfi, known as Moke the Painter, was born in 1950, in Ibe (province
Bandundu), Democratic Republic of Congo. Lived and worked in Kinshasa.
At the age of 10 he arrived in Kinshasa, decided to live in the markets, and survived by painting landscapes on cardboard boxes. He is considered to be one of fathers of "Zaire popular painting", for having as early as 1965 painted a picture representing General Mobutu waving to the crowds on the Boulevard du 30 Juin, as he led the parade commemorating Independence Day. Seen rightly as a "painter reporter" of city life, Moke set up his studio at the crossroads of the main Kasavubu and Bolobo avenues and immersed himself in the daily life of the city from which he drew his inspiration. His realistic and vivacious painting reveals his meticulous observation of daily life in Kinshasa: street scenes, bar life, local dandies, rumbas and all-night parties, neighborhood disputes, public transportation, ceremonials, etc. Moke paints characters with round and full faces, with a black line separating each of them, without concern for likeness or even perspective. He uses hot, lively industrial colors, in a harmonious mixture that lends atmosphere and a particular vigor to his paintings. The theme he has chosen to develop is in the foreground, the rest of the picture is most often composed of "filler" characters that lack detail. Moke structures his canvasses with great precision and carefully determines what part of the space the important elements will occupy. Moke was a true painter. On the night of September 26, 2001, Moke drank his last Skol Primus beer with Cheri Samba. All Kinshasa was deeply upset, it had just lost one of its most beloved figures.
Exhibitions: 1978 Academie des Beaux Arts, Kinshasa; 1979 Staatliche Kunsthalle Berlin and Bremen, Stockholm, Erlangen, Amsterdam, Frankfurt and London; 1982 Musee des Arts Decoratifs, Paris; 1985 Montreal University and Marius-Barbeau Museum, Gallery Trompe-l'oleil-Media Center Quebec; 1991 Liege and Museum of Contemporary Art, Chicago and Center for African Art, New York, Cobenhavn, Las Palmas and Gran Canaria; 1993 Bruxelles; 1995 Setagaya Art Museum, Tokyo, Himeci City Museum, Koriyama City Museum, Gifu; 1996 Palais des Beaux Arts, Charlesroi, 1997 Kinshasa and Galerie Peter Herrmann, Berlin; 2001 Bruxelles, Kinshasa and Paris; 2002 Geneva, Kinshasa and Bruxelles; 2008 "De Stadsschilders van Kinshasa", Hofke van Chantraine, Belgium; 2010 "O Congo. 50 ans d'independance en 50 tableaux", De Warande, Turnhout, Belgium; "Independance!", Musee Royal de l'Afrique Centrale, Tervuren/Brussels, Belgium; "50 Jahre Unabhängigkeit des Kongo in Bildern", Castle of Puchenau, Linz, Austria.
Allegorical Scene, oil on flour-sack, 82 x 100 cm, 1982
This is a very political painting: You see the sign of the MPR (Movement Populaire de la Revolution), which became the symbol on the official flag of Zaire. The leopard by the side of the sign represents president Mobutu. Moke sees him in 1982 as a protector, who saves the intellectual group of the country (the gazelle in the picture) from the threatening snake.
(In 1999 the Congolese painter Shula sees this issue differently: for him Mobutu is an evil dictator).
"Metamorphosis". Oil on flour-sack, 97 x 84 cm, 2001.
In the painting above Moke is illustrating an old legend: Bad people, especially those who committed rape, undergo partial or total metamorphosis and become transformed into the beasts they really were during their lifetime.
A classical image by Moke: "Women's Liberation Movement". Oil on flour-sack, 93 x 97 cm, 1976.